Contents are copyright by Diane Gromala and Douglas Bicket. These may be reproduced for non-commercial, educational purposes provided this notice is included and contents are not altered. |
Modernism "disenchantment with material truth and search for abstract truth." | Postmodernism "There is no universal truth, abstract or otherwise." |
Time Line |
(Renaissance?) Enlightenment ---> 1750s ---> 1890-1945. | Post WWII, especially after 1968 |
General |
Attempt to fashion a unified, coherent world- view from the fragmentation that defines existence | Attempt to subvert the distinction between "high" and "low" culture |
High Modernism 1920s & 1930s, following WWI -- outmoded political orders and old ways of portraying the world no longer seemed appropriate or applicable; reaction against existing order; avant garde | Eclecticism, a tendency toward parody and self-reference, and a relativism that knows no ultimate truth; no distinctions between "good" and "bad" |
Alienation; objective, essential knowable truth and beauty, totality and unity can still be found; meaning can be known, understood, and mastered through rational and scientific means. | Texts: world is a multiplicity of texts and discourses |
Classification of the world; order; hierarchy | Relativism |
Mastery and progress: Historical development; past affects present and future. | Ahistorical: future is indeterminate; past is a "text"; we can't learn from the past; we can live only in the present |
Universalizing | "Localizing", pluralizing |
Linear (like a novel) | Non-linear (like the Web) |
Works of art, science are windows to the truth. | Works of art, science are only texts, can only be understood in themselves. |
Computers |
PCs/UNIX/command line environments Stand-alone mainframe computers | Macintosh/Windows; Internet/WWW Computer networks |
Culture |
High culture vs. low culture -- strictly divided; Only high culture deserves to be studied, analyzed Commodification of culture -- everything can be bought or sold | Everything's "popular" culture -- it all deserves to be studied; pluralizing |
Symbolism |
Symbols & meaning: hammer and sickle = world communism, "evil empire" | Symbols drained of meaning: hammer and sickle in advertising (e.g., beer commercials) |
Architecture |
"Form follows function"; Le Corbusier, "machine aesthetic"; Mies van der Rohe; International style (eg, airports): straight, clean lines | Multiple, historical refs.; "playful" mix of styles, past and present. Las Vegas, Pompidou Center; Venturi, Robert Stirling |
Economics |
Fordism: mass production; global (International) style | Post-Fordism: "global localism"; multiple styles |
Science |
Bacon, observation, scientific rationalism; Newtonian physics, "clockwork universe"; David Hilbert | Einstein, quantum physics, Heisenberg Uncertainty Principle, Schrodinger's cat; Chaos; Kuhn, Rorty, science as a game, as "made" rather than "found" |
Politics |
Big ideas/big, centralized political parties rule
| Fragmented ideas, decentralized power; "micro-politics": interest groups rule (minority factions, NRA, business groups); Foucault, "everyone has a little power" |
Door-to-door politics; big rallies | TV politics -- clash of images: "how will it play on the six o'clock news?" |
Capitalism vs. communism: clash of ideologies | "Late capitalism" rules |
"The Making of the President" | "The Selling of the President" |
Parody: Dr. Strangelove; Orwell's Animal Farm | Pastiche: Wag The Dog |
Arts |
Artist is creator rather than preserver of culture | Artist plays with different styles; aesthetics; pastiche all-important |
Impressionism, Cubism, abstract expressionism, suprematism (Malevich's "Black Square") | Pop Art, Dada, montage |
"Photograph never lies" -- photos and video are windows/mirrors of reality | Photoshop: Oh yes it does -- photos and video can be altered completely; montage (where's the reality?) |
Art fights capitalism | Art is consumed by capitalism |
Fiction/Literature |
Novel is the dominant form; movies Author determines meaning; the "canon"; of great works: Shakespeare, Kafka, Joyce, Some can tell "good" from "bad" -- art critics important | TV, WWW; Meaning is indeterminate. Thomas Pynchon, Cathy Acker, William Gibson. Rise in importance of "popular" culture; we can't tell good from bad; it's all relative |
Theatre/Movies/TV |
John Ford; Modern Times; Bertolt Brecht; Metropolis. | RepoMan, Pulp Fiction (Tarantino), Blade Runner, X-Files |
Music |
Mozart, Beethoven, Schoenberg Idea of creating an artistic "piece" continued through to rock'n'roll era. | "World music"; pick-and-mix of styles Sampling John Cage, David Byrne |
Modernism "disenchantment with material truth and search for abstract truth." | Postmodernism "There is no universal truth, abstract or otherwise." |