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Home  > Nations & Nationalism  > The Strength of an Idea > The Public Role of Writers and Intellectuals - Edward W. Said

The Public Role of Writers and Intellectuals

Edward W. Said, 17 September 2001
[courtesy http://www.thenation.com/doc/20010917/essay -
[article suggested by Mariam Manuel Pillai, 17 January 2007]


"The Peace cannot exist without equality: This is an intellectual value desperately in need of reiteration, demonstration and reinforcement. The seduction of the word itself -peace -is that it is surrounded by, indeed drenched in, the blandishments of approval, uncontroversial eulogizing, sentimental endorsement. ..The intellectual's role generally is to uncover and elucidate the contest, to challenge and defeat both an imposed silence and the normalized quiet of unseen power, wherever and whenever possible. For there is a social and intellectual equivalence between this mass of overbearing collective interests and the discourse used to justify, disguise or mystify its workings while at the same time preventing objections or challenges to it. In this day, and almost universally, phrases such as "the free market," "privatization," "less government" and others like them have become the orthodoxy of globalization, its counterfeit universals. They are staples of the dominant discourse, designed to create consent and tacit approval. From that nexus emanate such ideological confections as "the West," the "clash of civilizations," "traditional values" and "identity" (perhaps the most overused phrases in the global lexicon today). All these are deployed not as they sometimes seem to be--as instigations for debate--but quite the opposite, to stifle, pre-empt and crush dissent whenever the false universals face resistance or questioning. .."


In everyday usage in the languages and cultures with which I am familiar, a "writer" is a person who produces literature--that is, a novelist, poet, dramatist. I think it is generally true that in all cultures writers have a separate, perhaps even more honorific, place than do "intellectuals"; the aura of creativity and an almost sanctified capacity for originality (often vatic in scope and quality) accrues to writers as it doesn't at all to intellectuals, who with regard to literature belong to the slightly debased and parasitic class of "critics."

Yet at the dawn of the twenty-first century the writer has taken on more and more of the intellectual's adversarial attributes in such activities as speaking the truth to power, being a witness to persecution and suffering, and supplying a dissenting voice in conflicts with authority.

Signs of the amalgamation of one to the other would have to include the Salman Rushdie case in all its ramifications; the formation of numerous writers' parliaments and congresses devoted to such issues as intolerance, the dialogue of cultures, civil strife (as in Bosnia and Algeria), freedom of speech and censorship, truth and reconciliation (as in South Africa, Argentina, Ireland and elsewhere); and the special symbolic role of the writer as an intellectual testifying to a country's or region's experience, thereby giving that experience a public identity forever inscribed in the global discursive agenda.

The easiest way of demonstrating this is simply to list the names of some (but by no means all) recent Nobel Prize winners, then to allow each name to trigger in the mind an emblematized region, which in turn can be seen as a sort of platform or jumping-off point for that writer's subsequent activity as an intervention, in debates taking place very far from the world of literature. Thus Nadine Gordimer, Kenzaburo Oe, Derek_Walcott Derek Walcott, Wole Soyinka , Gabriel García Márquez , Octavio_Paz , Elie Wiesel, Bertrand Russell, Günter Grass, Rigoberta Menchú, among several others.

Now it is also true, as Pascale Casanova has brilliantly shown in her synoptic book La République mondiale des lettres, that, fashioned over the past 150 years, there seems to be a global system of literature now in place, complete with its own order of literariness (littérarité), tempo, canon, internationalism and market values. The efficiency of the system is that it seems to have generated the types of writers that she discusses as belonging to such different categories as assimilated, dissident and translated figures--all of them both individualized and classified in what she shows is a highly efficient, globalized, quasi-market system. The drift of her argument is to show that this powerful and all-pervasive system can go even as far as stimulating a kind of independence from itself, as in cases like Joyce and Beckett, writers whose language and orthography do not submit to the laws either of state or of system.

Much as I admire it, however, the overall achievement of Casanova's book is nevertheless contradictory. She seems to be saying that literature as globalized system has a kind of integral autonomy to it that places it in large measure just beyond the gross realities of political institutions and discourse, a notion that has a certain theoretical plausibility to it when she puts it in the form of un espace littéraire internationale, with its own laws of interpretation, its own dialectic of individual work and ensemble, its own problematics of nationalism and national languages. But she doesn't go as far as Adorno in saying, as I would too, that one of the hallmarks of modernity is how, at a very deep level, the aesthetic and the social need to be kept in a state of irreconcilable tension. Nor does she spend enough time discussing the ways in which the literary, or the writer, is still implicated--indeed frequently mobilized for use--in the great post-cold war cultural contests of the world's altered political configurations.

Looked at from that perspective, for example, the debate about Salman Rushdie was never really about the literary attributes of The Satanic Verses but rather about whether there could be a literary treatment of a religious topic that did not also touch on religious passions in a very, indeed in an exacerbated, public way. I don't think that such a possibility existed, since from the very moment the fatwa was released to the world by Ayatollah Khomeini, the novel, its author and its readers were all deposited squarely inside an environment that allowed no room for anything but politicized intellectual debate about such socio religious issues as blasphemy, secular dissent and extraterritorial threats of assassination. Even to assert that Rushdie's freedom of expression as a novelist could not be abridged--as many of us from the Islamic world did assert--was in fact to debate the issue of the literary freedom to write within a discourse that had already swallowed up and occupied (in the geographical sense) literature's apartness entirely.

In that wider setting, then, the basic distinction between writers and intellectuals need not be made. Insofar as they both act in the new public sphere dominated by globalization (and assumed to exist even by adherents of the Khomeini fatwa), their public role as writers and intellectuals can be discussed and analyzed together. Another way of putting it is to say that we should concentrate on what writers and intellectuals have in common as they intervene in the public sphere.

First we need to take note of the technical characteristics of intellectual intervention today. To get a dramatically vivid grasp of the speed to which communication has accelerated in the past decade, I'd like to contrast Jonathan Swift's awareness of effective public intervention in the early eighteenth century with ours. Swift was surely the most devastating pamphleteer of his time, and during his campaign against the Duke of Marlborough in 1711-12 was able to get 11,000 copies of his pamphlet The Conduct of the Allies onto the streets in two months. This brought the Duke down from his high eminence but nevertheless did not change Swift's pessimistic impression (dating back to A Tale of a Tub, 1704) that his writing was basically temporary, good only for the short time that it circulated. He had in mind, of course, the running quarrel between ancients and moderns, in which venerable writers like Homer and Horace had the advantage over modern figures like Dryden by virtue of their age and the authenticity of their views of great longevity, even permanence.

In the age of electronic media such considerations are mostly irrelevant, since anyone with a computer and decent Internet access is capable of reaching numbers of people quantum times more than Swift did, and can also look forward to the preservation of what is written beyond any conceivable measure. Our ideas today of discourse and archives must be radically modified and can no longer be defined as Foucault painstakingly tried to describe them a mere two decades ago. Even if one writes for a newspaper or journal, the chances of digital reproduction and (notionally at least) an unlimited time of preservation have wreaked havoc on the idea of an actual, as opposed to a virtual, audience. These things have certainly limited the powers that regimes have to censor or ban writing that is considered dangerous, although there are fairly crude means for stopping or curtailing the libertarian function of online print. Until only very recently Saudi Arabia and Syria, for example, successfully banned the Internet and even satellite television. Both countries now tolerate limited access to the Internet, although both have also installed sophisticated and, in the long run, prohibitively expensive interdictory processes to maintain their control.

As things stand, an article I might write in New York for a British paper has a good chance of reappearing on individual websites or via e-mail on screens in the United States, Japan, Pakistan, the Middle East and South Africa as well as Australia. Authors and publishers have very little control over what is reprinted and recirculated. I am constantly surprised (and don't know whether to be angry or flattered) when something that I wrote or said in one place turns up with scarcely a delay halfway around the world. For whom then does one write, if it is difficult to specify the audience with any sort of precision? Most people, I think, focus on the actual outlet that has commissioned the piece or on the putative readers we would like to address. The idea of an imagined community has suddenly acquired a very literal, if virtual, dimension. Certainly, as I experienced when I began ten years ago to write in an Arabic publication for an audience of Arabs, one attempts to create, shape, refer to a constituency. This is requisite now much more than during Swift's time, when he could quite naturally assume that the persona he called a Church of England man was in fact his real, very stable and quite small audience.

All of us should therefore operate today with some notion of very probably reaching much larger audiences than any we could conceive of even a decade ago, although the chances of retaining that audience are by the same token quite chancy. This is not simply a matter of optimism of the will: It is in the very nature of writing today. This makes it very difficult for writers to take common assumptions between them and their audiences for granted, or to assume that references and allusions are going to be understood immediately. But writing in this expanded new space strangely does have a further and unusually risky consequence: being encouraged to say things that are either completely opaque or completely transparent (and if one has any sense of intellectual and political vocation, it should of course be the latter rather than the former).

On one side, a half-dozen enormous multinationals presided over by a handful of men control most of the world's supply of images and news. On the other, there are the independent intellectuals who actually form an incipient community, physically separated from each other but connected variously to a great number of activist communities shunned by the main media but who have at their disposal other kinds of what Swift sarcastically called oratorical machines. Think of what an impressive range of opportunities is offered by the lecture platform, the pamphlet, radio, alternative journals, the interview form, the rally, church pulpit and the Internet, to name only a few. True, it is a considerable disadvantage to realize that one is unlikely to get asked onto the PBS NewsHour or ABC Nightline, or if one is in fact asked, that only an isolated fugitive minute will be offered. But then other occasions present themselves, not in the soundbite format but rather in more extended stretches of time.

So, rapidity is a double-edged weapon. There is the rapidity of the sloganeeringly reductive style that is the main feature of "expert" discourse--to-the-point, fast, formulaic, pragmatic in appearance--and there is the rapidity of response and expandable format that intellectuals and indeed most citizens can exploit in order to present fuller, more complete expressions of an alternative point of view. I am suggesting that by taking advantage of what is available in the form of numerous platforms (or stages-itinerant, another Swiftian term), an intellectual's alert and creative willingness to exploit them (that is, platforms that either aren't available to or are shunned by the television personality, expert or political candidate) creates the possibility of initiating wider discussion.

The emancipatory potential--and the threats to it--of this new situation mustn't be underestimated. Let me give a very powerful example of what I mean. There are about 4 million Palestinian refugees scattered all over the world, a significant number of whom live in large refugee camps in Lebanon (where the 1982 Sabra and Shatila massacres took place), Jordan, Syria and in Gaza and the West Bank. In 1999 an enterprising group of young and educated refugees living in Dheisheh camp, near Bethlehem on the West Bank, established the Ibdaa Center, whose main feature was the Across Borders project; this was a revolutionary way, through computer terminals, of connecting refugees in most of the main camps, separated geographically and politically by impossibly difficult barriers, to one another.

For the first time since their parents were dispersed in 1948, second-generation Palestinian refugees in Beirut or Amman could communicate with their counterparts inside Palestine. Some of what the participants in the project did was quite remarkable. Thus when Israeli closures were relaxed somewhat the Dheisheh residents went on visits to their former villages in Palestine, and then described their emotions and what they saw for the benefit of other refugees who had heard of but could not have access to these places. In a matter of weeks a remarkable solidarity emerged at a time when, it turned out, the so-called final-status negotiations between the PLO and Israel were beginning to take up the question of refugees and return, which along with the question of Jerusalem made up the intransigent core of the stalemated peace process. For some Palestinian refugees, therefore, their presence and political will was actualized for the first time, giving them a new status qualitatively different from the passive objecthood that had been their fate for half a century.

On August 26, 2000, all the computers in Dheisheh were destroyed in an act of political vandalism that left no one in doubt that refugees were meant to remain refugees, which is to say that they were not meant to disturb the status quo that had assumed their silence for so long. It wouldn't be hard to list the possible suspects, but it is hard to imagine that anyone will ever be named or apprehended. In any case, the Dheisheh camp-dwellers immediately set about trying to restore the IbdaaCenter, and seem to some degree to have succeeded. To answer the question "why" individuals and groups prefer writing and speaking to silence is equivalent to specifying what the intellectual and writer confront in the public sphere. The existence of individuals or groups seeking social justice and economic equality--and who understand, in Amartya Sen's formulation, that freedom must include the right to a whole range of choices affording cultural, political, intellectual and economic development--ipso facto will lead to a desire for articulation rather than silence. It almost goes without saying that for the American intellectual the responsibility is greater, the openings numerous, the challenge very difficult. The United States, after all, is the only global power; it intervenes nearly everywhere, and its resources for domination are very great, although far from infinite.

The intellectual's role generally is to uncover and elucidate the contest, to challenge and defeat both an imposed silence and the normalized quiet of unseen power, wherever and whenever possible. For there is a social and intellectual equivalence between this mass of overbearing collective interests and the discourse used to justify, disguise or mystify its workings while at the same time preventing objections or challenges to it. In this day, and almost universally, phrases such as "the free market," "privatization," "less government" and others like them have become the orthodoxy of globalization, its counterfeit universals. They are staples of the dominant discourse, designed to create consent and tacit approval. From that nexus emanate such ideological confections as "the West," the "clash of civilizations," "traditional values" and "identity" (perhaps the most overused phrases in the global lexicon today). All these are deployed not as they sometimes seem to be--as instigations for debate--but quite the opposite, to stifle, pre-empt and crush dissent whenever the false universals face resistance or questioning.

The main goal of this dominant discourse is to fashion the merciless logic of corporate profit-making and political power into a normal state of affairs. Behind the Punch and Judy show of energetic debate concerning the West and Islam, for example, all manner of antidemocratic, sanctimonious and alienating devices (the theory of the Great Satan or of the rogue state and terrorism) are in place as diversions from the social and economic disentitlements occurring in reality. In one place, Hashemi Rafsanjani exhorts the Iranian Parliament to greater degrees of Islamization as a defense against America; in the other, Bush, Blair and their feeble partners prepare their citizens for an indeterminate war against Islamic terrorism, rogue states and the rest. Realism and its close associate, pragmatism, are mobilized from their real philosophical context in the work of Peirce, Dewey and James, and put to forced labor in the boardroom where, as Gore Vidal has put it, the real decisions about government and presidential candidates are made. Much as one is for elections, it is also a bitter truth that elections do not automatically produce democracy or democratic results. Ask any Floridian.

The intellectual can offer instead a dispassionate account of how identity, tradition and the nation are constructed entities, most often in the insidious form of binary oppositions that are inevitably expressed as hostile attitudes to the Other. Pierre Bourdieu and his associates have very interestingly suggested that Clinton-Blair neoliberalism, which built on the conservative dismantling of the great social achievements (in health, education, labor, social security) of the welfare state during the Thatcher-Reagan period, has constructed a paradoxical doxa, a symbolic counterrevolution that includes the kind of national self-glorification I've just mentioned. This, Bourdieu says, is conservative but presents itself as progressive; it seeks the restoration of the past order in some of its most archaic aspects (especially as regards economic relations), yet it passes off regressions, reversals, surrenders, as forward-looking reforms or revolutions leading to a whole new age of abundance and liberty (as with the language of the so-called new economy and the celebratory discourse around network firms and the internet).

As a reminder of the damage this reversal has already done, Bourdieu and his colleagues produced a collective work titled La misère du monde (translated in 1999 as The Weight of the World: Social Suffering in Contemporary Society), whose aim was to compel the politicians' attention to what in French society the misleading optimism of the public rhetoric had hidden. This kind of book therefore plays a sort of negative intellectual role, whose aim is, to quote Bourdieu again, "to produce and disseminate instruments of defense against symbolic domination which increasingly relies on the authority of science"--or on expertise or appeals to national unity, pride, history and tradition--to bludgeon people into submission.

Obviously India and Brazil are different from Britain and the United States; but the often striking disparities in cultures and economies shouldn't obscure the even more startling similarities that can be seen in some of the techniques, and very often the aim, of deprivation and repression that compel people to follow along meekly. I should also add that one needn't always present an abstruse and detailed theory of justice to go to war intellectually against injustice, since there is now a well-stocked international storehouse of conventions, protocols, resolutions and charters for national authorities to comply with, if they are so inclined. And in the same context I would have thought it almost moronic to take an ultrapostmodern position (like Richard Rorty while shadowboxing with some vague thing he refers to contemptuously as "the academic Left") and say--when confronting ethnic cleansing, or genocide as it is occurring today in Iraq, or any of the evils of torture, censorship, famine, ignorance (most of them constructed by humans, not by acts of God)--that human rights are "cultural things," so that when they are violated they do not really have the status accorded them by such crude foundationalists as myself, for whom they are as real as anything else we can encounter.

All intellectuals carry around some working understanding or sketch of the global system (in large measure thanks to world and regional historians like Immanuel Wallerstein, Anouar Abdel-Malek, J.M. Blaut, Janet Abu-Lughod, Peter Gran, Ali Mazrui, William McNeill); but it is during the direct encounters with it in one or another specific geography or configuration that the contests are waged (as in Seattle and Genoa) and perhaps even winnable. There is an admirable chronicle of the kind of thing I mean in the various essays of Bruce Robbins's Feeling Global: Internationalism in Distress (1999), Timothy Brennan's At Home in the World: Cosmopolitanism Now (1997) and Neil Lazarus's Nationalism and Cultural Practice in the Postcolonial World (1999), books whose self-consciously territorial and highly interwoven textures are in fact an adumbration of the critical (and combative) intellectual's sense of the world we live in today, taken as episodes or even fragments of a broader picture, which their work and that of others is in the process of compiling.

What they suggest is a map of experiences that would have been indiscernible, perhaps invisible, two decades ago, but that in the aftermath of the classical empires, the end of the cold war, the crumbling of the socialist and nonaligned blocs, the emergent dialectics between North and South in the era of globalization, cannot be excluded either from cultural study or from the somewhat ethereal precincts of the humanistic disciplines.

I've mentioned a few names not just to indicate how significant I think their contributions have been but also to use them in order to leapfrog directly into some concrete areas of collective concern, where, to quote Bourdieu for the last time, there is the possibility of "collective invention." He observes that the whole edifice of critical thought is thus in need of reconstruction. This work of reconstruction cannot be done, as some thought in the past, by a single great intellectual, a master-thinker endowed only with the resources of his singular thought, or by the authorized spokesperson for a group or an institution presumed to speak in the name of those without voice, union, party, and so on. This is where the collective intellectual [Bourdieu's name for individuals the sum of whose research and participation on common subjects constitutes a sort of ad hoc collective] can play its irreplaceable role, by helping to create the social conditions for the collective production of realist utopias.

My reading of this is to stress the absence of any master plan or blueprint or grand theory for what intellectuals can do, and the absence now of any utopian teleology toward which human history can be described as moving. Therefore, one invents--in the literal use of the Latin word inventio, employed by rhetoricians to stress finding again or reassembling from past performances, as opposed to the romantic use of invention as something you create from scratch--goals abductively, that is, hypothesizes a better situation from the known historical and social facts.

So in effect this enables intellectual performances on many fronts, in many places, many styles, that keep in play both the sense of opposition and the sense of engaged participation. Hence, film, photography and even music, along with all the arts of writing, can be aspects of this activity. Part of what we do as intellectuals is not only to define the situation but also to discern the possibilities for active intervention, whether we then perform them ourselves or acknowledge them in others who have either gone before or are already at work, the intellectual as lookout. Provincialism of the old kind--e.g., I am a literary specialist whose field is early-seventeenth-century England--rules itself out and, quite frankly, seems uninteresting and needlessly neutered. The assumption has to be that even though one can't do or know everything, it must always be possible to discern the elements of a struggle or tension or problem near at hand that can be elucidated dialectically, and also to sense that other people have a similar stake and work in a common project.

I have found a brilliantly inspiring parallel for what I mean in Adam Phillips's recent book Darwin's Worms, in which Darwin's lifelong attention to the lowly earthworm revealed its capacity for expressing nature's variability and design without necessarily seeing the whole of either one or the other, thereby in his work on earthworms replacing "a creation myth with a secular maintenance myth." Is there some nontrivial way of generalizing about where and in what form such struggles are taking place now? I shall limit myself to saying a little about only three, each of which is profoundly amenable to intellectual intervention and elaboration.

The first is to protect against and forestall the disappearance of the past, which in the rapidity of change, the reformulation of tradition and the construction of simplified bowdlerizations of history is at the very heart of the contest described by Benjamin Barber (though rather too sweepingly) as "Jihad versus McWorld."

The intellectual's role is first to present alternative narratives and other perspectives on history than those provided by the combatants on behalf of official memory and national identity--who tend to work in terms of falsified unities, the manipulation of demonized or distorted representations of undesirable and/or excluded populations, and the propagation of heroic anthems sung in order to sweep all before them. At least since Nietzsche, the writing of history and the accumulations of memory have been regarded in many ways as one of the essential foundations of power, guiding its strategies and charting its progress.

Look, for example, at the appalling exploitation of past suffering described in their accounts of the uses of the Holocaust by Tom Segev, Peter Novick and Norman Finkelstein or, just to stay within the area of historical restitution and reparation, the invidious disfiguring, dismembering and disremembering of significant historical experiences that do not have powerful enough lobbies in the present and therefore merit dismissal or belittlement. The need now is for deintoxicated, sober histories that make evident the multiplicity and complexity of history without allowing one to conclude that it moves forward impersonally according only to laws determined either by the divine or by the powerful.

Second is to construct fields of coexistence rather than fields of battle as the outcome of intellectual labor. There are great lessons to be learned from decolonization; first, that, noble as its liberatory aims were, it did not often enough prevent the emergence of repressive nationalist replacements for colonial regimes; second, that the process itself was almost immediately captured by the cold war, despite the nonaligned movement's rhetorical efforts; and thirdly, that it has been miniaturized and even trivialized by a small academic industry that has simply turned it into an ambiguous contest among ambivalent opponents.

Third, in the various contests over justice and human rights that so many of us feel we have joined, there needs to be a component to our engagement that stresses the need for the redistribution of resources and that advocates the theoretical imperative against the huge accumulations of power and capital that so distort human life. Peace cannot exist without equality: This is an intellectual value desperately in need of reiteration, demonstration and reinforcement. The seduction of the word itself--peace--is that it is surrounded by, indeed drenched in, the blandishments of approval, uncontroversial eulogizing, sentimental endorsement.

The international media (as has been the case recently with the sanctioned wars in Iraq and Kosovo) uncritically amplify, ornament, unquestioningly transmit all this to vast audiences for whom peace and war are spectacles for delectation and immediate consumption. It takes a good deal more courage, work and knowledge to dissolve words like "war" and "peace" into their elements, recovering what has been left out of peace processes that have been determined by the powerful, and then placing that missing actuality back in the center of things, than it does to write prescriptive articles for "liberals," à la Michael Ignatieff, that urge more destruction and death for distant civilians. The intellectual can be perhaps a kind of countermemory, putting forth its own counterdiscourse that will not allow conscience to look away or fall asleep. The best corrective is, as Dr. Johnson said, to imagine the person whom you are discussing--in this case the person on whom the bombs will fall--reading you in your presence.

Still, just as history is never over or complete, it is also the case that some dialectical oppositions are not reconcilable, not transcendable, not really capable of being folded into a sort of higher, undoubtedly more noble, synthesis. The example closest to home for me is the struggle over Palestine, which, I have always believed, cannot really be simply resolved by a technical and ultimately janitorial rearrangement of geography allowing dispossessed Palestinians the right (such as it is) to live in about 20 percent of their land, which would be encircled by and totally dependent on Israel.

Nor, on the other hand, would it be morally acceptable to demand that Israelis should retreat from the whole of former Palestine, now Israel, becoming refugees like Palestinians all over again. No matter how I have searched for a resolution to this impasse, I cannot find one, for this is not a facile case of right versus right. It cannot be right ever to deprive an entire people of their land and heritage or to stifle and slaughter them, as Israel has been doing for the thirty-four years of its occupation. But the Jews too are what I have called a community of suffering, and brought with them a heritage of great tragedy. Yet unlike Zeev Sternhell, I cannot agree that the conquest of Palestine was a necessary conquest--the notion offends the sense of real Palestinian pain, in its own way also tragic.

Overlapping yet irreconcilable experiences demand from the intellectual the courage to say what is before us, in almost exactly the way Adorno, throughout his work on music, insisted that modern music can never be reconciled with the society that produced it; but in its intensely and often despairingly crafted form and content, music can act as a silent witness to the inhumanity all around. Any assimilation of individual musical work to its social setting is, says Adorno, false. I conclude with the thought that the intellectual's provisional home is the domain of an exigent, resistant, intransigent art into which, alas, one can neither retreat nor search for solutions. But only in that precarious exilic realm can one first truly grasp the difficulty of what cannot be grasped, and then go forth to try anyway.

 

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